ME MERAKI
Study 01

Surface + Shadow

Tree shadows falling across a sunlit stone courtyard and rough plaster wall
Question

How does Mediterranean light alter the perception of curved ceramic surfaces?

Location:
Kythnos, Greece

Observation

Throughout the day, the same curved surface reads differently: a profile that appears soft at noon becomes sharply drawn by late afternoon. The study documents this behaviour on plaster walls, carved stone and thrown vessels, and tests how curvature, texture and glaze absorption control it.

The working question is not decorative. If shadow is treated as a material property, the section of a vessel can be designed for the light it will stand in.

Field Notes

Olive-tree shadows cast across a whitewashed wall in a Cycladic alley
Shadows of a shrub cast across smooth pale rock slabs
Dry grasses and plant shadows against a plaster wall above layered rocks
Stone steps beside a plaster wall above the sea at low evening sun
Dried flowers on a rocky cliff edge beneath a wall with leaf shadows, the sea below
Tree shadow falling on a stone ledge and plaster corner above the sea

Material Tests

  • MT–01Curvature series — identical clay body, five wall sections, photographed hourly against a north-facing wall.
  • MT–02Surface series — burnished, sanded and slip-coated test tiles under raking light.
  • MT–03Glaze absorption — matte to satin sequence on the selected section.

Coming soon

Coming soon